{"id":4973,"date":"2015-09-13T03:03:42","date_gmt":"2015-09-13T03:03:42","guid":{"rendered":"https:\/\/dantonimedia.com\/en\/?p=4973"},"modified":"2021-07-07T07:17:02","modified_gmt":"2021-07-07T07:17:02","slug":"lecciones-de-piano-progresion-de-acordes-iim7b5-v7-i","status":"publish","type":"post","link":"http:\/\/localhost\/wp-insidepiano\/sp\/lecciones-de-piano-progresion-de-acordes-iim7b5-v7-i","title":{"rendered":"Piano Progresi\u00f3n de Acordes IIm7b5-V-I"},"content":{"rendered":"\n<h2 class=\"title-single-post\"><strong>Tocando la Progresi\u00f3n<\/strong><\/h2>\n\n\n\n<p class=\"space-bottom-30\">En G Mayor:&nbsp;Am7(b5) &#8211; D7(b9#11) &#8211; GMaj9.&nbsp;La manera correcta de tocar acordes en el piano es distribuyendo el acorde en ambas manos. Chord-Melody.&nbsp;Estos acordes en el piano consisten de dos partes con la mano izquierda tocamos una variaci\u00f3n de 1, 5, 7 para los acordes mayores, 1, 5, b7 para los acordes menores y de dominante y 1, b5, b7 para los acordes semi-disminuidos [m7b5].<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Acordes de piano. Como tocar progresiones de Jazz. IIm7b5-V-I.\" width=\"660\" height=\"371\" src=\"https:\/\/www.youtube.com\/embed\/aFGbCufpeDc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2><strong>Combinando Acordes<\/strong><\/h2>\n\n\n\n<p>Con la mano derecha tocamos una variaci\u00f3n del acorde o tr\u00edada relacionada dependiendo de la melod\u00eda y de las tensiones que deseamos utilizar.&nbsp;En este ejemplo estamos tocando chord-melody tocando los acordes en ambas manos.<\/p>\n\n\n\n<h3><strong><strong>F\u00f3rmula de distribuci\u00f3n para el acorde m7b5:<\/strong><\/strong><\/h3>\n\n\n\n<p><strong>Mano Izquierda:<\/strong> 1, b5, b7&nbsp;<br><strong>Mano Derecha:<\/strong> El acorde de tr\u00edada mayor de la b7 agregando adem\u00e1s la b5 &nbsp;<\/p>\n\n\n\n<h3><strong>The V7b9#11 Chord Blend:<\/strong><\/h3>\n\n\n\n<p><strong>Mano Izquierda:<\/strong> 1, 5, b7<br><strong>Mano Derecha:<\/strong> La 6ta de la 6ta&nbsp;<\/p>\n\n\n\n<h4>&nbsp;<strong>en Am7b5:<\/strong><\/h4>\n\n\n\n<p><strong>Mano Izquierda:<\/strong> A, Eb, G<br><strong>Mano Derecha:<\/strong> Tr\u00edada Mayor de G agregando b5&nbsp;<\/p>\n\n\n\n<h4><strong>on D7b9#11:<\/strong><\/h4>\n\n\n\n<p><strong>Mano Izquierda:<\/strong> : D, A, C<br><strong>Mano Derecha:<\/strong> Eb, F#, Ab, B&nbsp;<\/p>\n\n\n\n<p>The 6th of the 6th means the six chord of the 6th degree of the scale. [B6 on this case] The chord could be called B6\/D7<\/p>\n\n\n\n<h3><strong>The IMaj9 Chord Blend:<\/strong><\/h3>\n\n\n\n<p><strong>Mano Izquierda:<\/strong> 1, 5, 7<br><strong>Mano Derecha:<\/strong> La tr\u00edada mayor&nbsp;del acorde, [ascendiendo la T\u00f3nica a la&nbsp;9]<\/p>\n\n\n\n<h4><strong><strong>Con esta formula podemos ahora tocar esta progresi\u00f3n de acordes en todas las&nbsp;12 tonalidades.<\/strong><\/strong><\/h4>\n\n\n\n<p>Cuando practiquen el ejercicio traten de no escribir los acordes y leer. Hagan los c\u00e1lculos en la cabeza. Necesitamos entrenar a nuestra mente a pensar de esta manera&nbsp;tiene que ser parte de nuestro subconsciente para que podamos hablar el lenguaje naturalmente.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En este video tutorial de piano vamos a aprender a tocar sobre las progresiones II-V-I y c\u00f3mo re-armonizar la progresi\u00f3n utilizando extensiones de acordes.<\/p>\n","protected":false},"author":1,"featured_media":7427,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[21],"_links":{"self":[{"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/posts\/4973"}],"collection":[{"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/comments?post=4973"}],"version-history":[{"count":1,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/posts\/4973\/revisions"}],"predecessor-version":[{"id":7306,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/posts\/4973\/revisions\/7306"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/media\/7427"}],"wp:attachment":[{"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/media?parent=4973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/categories?post=4973"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/localhost\/wp-insidepiano\/sp\/wp-json\/wp\/v2\/tags?post=4973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}